Songs Reimagined as Book Covers
Anyone who knows me, knows that music plays a huge role in my life. I have a motto: Everything is a storyline. Everything has a soundtrack. And it’s true. For me, at least. So, one day as I was cussing out my elliptical machine while simultaneously kicking its ass to Marshmellow and Anne-Marie, I had a random vision of what the song would be like if it were a book - totally a quirky Rom-Com. And then, well… it spiraled because I’m also really good at procrastinating.
Here’s some awesome songs turned into book covers. Some of these are classics, some are on the charts now, and some are up-and-comers that feature in my ACL Festival line-up so check them out if you aren’t familiar with them.
You’re welcome.
Here’s what it looks like when I procrastinate: Some of my favorite songs reimagined as book covers.
SCREENWRITING:
How to use the best screenplays as a writing guide. Download your favorites to use as a resource tool.
SCREENWRITING:
What’s a logline and why do you have to have one? What are the key elements that make up the perfect logline?
Figure out which of the 7 common plotlines your story falls under so you can let your characters loose to start their journey.
40 Dystopian and Post-Apocalyptic books to get you through your self-isolation, quarantine, or lockdown.
You’ve written the last sentence on your first draft (or second or third). Your baby is done. It’s a bestseller waiting to happen. But, is it?
A manuscript critique is a vital step.
Before you start revisions or seek editing, you need an expert set of eyes that read the way a literary agency or publisher or reader would with invaluable notes along the way to make sure you’re on the right track.
PACKAGE INCLUDES:
Line–by–Line Editor's Notes
No Page Limit Report
Notes on Hook, Setting and Descriptions, POV, Voice, Narrative, Dialogue, Character Development and Growth, Plot, Pacing, Story Development including Story Arcs, Showing versus Telling, Structure, and Marketability
A developmental edit is the whole enchilada – story-wise. It’s a deep-diving, detailed content edit that provides objective feedback. It looks at everything from words to structure to strengths and weaknesses to story and characters to loose ends.
Are there major changes that need to take place to better tell your story? A different way to go about something? Missing information? Cuts to be made? Additions? Restructuring?
Developmental edits provide invaluable insights to make your manuscript everything it can be before starting major revisions; setting you and your book on the right path.
PACKAGE INCLUDES:
Line–by–Line Editor's Notes
No Page Limit Report
Notes on Hook, Setting and Descriptions, POV, Voice, Narrative Style and Tone, Dialogue, Character Development and Growth, Plot, Pacing, Story Development including Story Arcs, Showing versus Telling, Consistency, Structure, and Marketability
A copyedit gets into the nitty-gritty of your manuscript to point out and remove anything that hinders or enhance anything that helps your words and story shine. You want the clearest story to give to your readers so they’ll come back for more.
Beyond the typos, bad grammar, and spelling mistakes, it goes page by page to catch run-on sentences, passive versus active, and any issues with phrasing, repetition, and rhythm.
Copyedits also spot any inconsistencies. Does the tone change periodically? Is your character’s name Michael at the beginning and Michah later? Are they removing a scarf twice? Did a sudden passage of time happen?
This will catch anything that will take your reader out of the story.
Package Includes:
Line-by-Line Notes and Edits
Typos, Spelling, Grammar, Sentence Structure, Punctuation, and Syntax Errors
Word Choices – Tense, Unnecessary, Repetitive, Rhythm, Connotation, and Modifiers
Phrasing – Awkward, Transitional, Conciseness
Genre-Specific Notes on Story Flow, Continuity, Character Detail, Accuracy, Clarity, Style, Tone, Ideas and Concepts, Consistency, Format, Structure, and Denotes any Confusion
Writers are creative. We pour our hearts out on the page and bring amazing things to life. We want to suck a reader in and keep them there—to hear our story. We also get so engrossed in our own worlds that we overlook things and the fastest way to turn a reader off or take them out of your story is with basic grammar, typos, punctuation, or consistency issues.
This is the most mentioned negative comment in book reviews.
If you feel your manuscript is at it's peak, this is the last thing you should do before self-publishing or querying publishers and agents.
Package Includes:
Typos, Spelling, Grammar, Structure, Punctuation, and Syntax Errors
Line-by-Line Notes and Edits
Notes on Accuracy and Consistency and Denotes any Confusion
Purchasing this digital gift card creates a unique code. The gift card recipient can enter this code at checkout to subtract the gift card value from their order total.
This gift card never expires.
You’ve written the last sentence on your first draft (or second or third). Your baby is done. It’s a blockbuster waiting to happen. But, is it?
A script analysis is a vital step.
Before you start revisions or seek coverage or editing, you need an expert set of eyes that read the way a studio, production company or literary agency would with invaluable notes along the way to make sure you’re on the right track.
PACKAGE INCLUDES:
Line–by–Line Editor's Notes
No Page Limit Report
Notes on Hook, Setting and Descriptions, Dialogue, Character Development and Growth, Plot, Pacing, Story Development including Story Arcs, Structure, and Marketability
Once you finally receive a request for your screenplay, you may think that it will go straight to the top. It doesn't. A "reader" snags it first. Whether it's an assistant or someone specifically tasked with reading stacks and stacks of scripts each week doesn't matter - it needs to be in the best shape possible to stand out from the crowd.
Know exactly what a studio, production company, or agency reader will say about your script before you start the submission process.
It's one of the most valuable tools that a screenwriter can have.
Let years of expertise and experience give you a leg up.
PACKAGE INCLUDES:
Logline
Synopsis
No Page Limit Notes on Market Potential, Main Plot, Sub Plot, Story & Character Development, Dialogue, Premise, and Structure
Ratings Grid
Grade - Pass, Consider, Recommend
The most comprehensive package. Not only do you receive proofreading and copyediting, but industry-standard coverage as well.
Is the story itself enough to hold the reader's attention and keep them engaged? Can they relate to the characters? Did you build your world enough? Is it plausible? Are there glaring holes in the plot? Does anything take the reader out of your story?
Package Includes:
Proofreading: Typos, Spelling, Grammar, Structure, Punctuation, and Syntax Errors, Notes on Accuracy and Consistency
Copyedit: Line-by-Line Notes and Edits, Word Choices – Tense, Unnecessary, Repetitive, Rhythm, Connotation, and Modifiers, Phrasing – Awkward, Transitional, Conciseness, Genre-Specific Notes on Story Flow, Continuity, Sluglines, Character Detail, Accuracy, Clarity, Style, Tone, Ideas and Concepts, Consistency, Format, Structure, and Denotes any Confusion
Coverage: Synopsis, No Page Limit Notes on Market Potential, Main Plot, Sub Plot, Story & Character Development, Dialogue, Premise, Structure, Ratings Grid, Grade - Pass, Consider, Recommend
A copyedit gets into the nitty-gritty of your screenplay to point out and remove anything that hinders or enhance anything that helps your words and story shine. You want the clearest story to give to your readers so they move your script to the top of the “recommend” pile.
Beyond the typos, bad grammar, and spelling mistakes, copyedits go page by page to catch run-on sentences, passive versus active, and any issues with phrasing, repetition, and rhythm.
Copyedits also spot any inconsistencies. Does the tone change periodically? Is your character’s name Michael at the beginning and Michah later? Are they removing a scarf twice? Did a sudden passage of time happen? Are they on the phone but you haven’t shown that? Does your slugline not reflect the scene?
This will catch anything that will take your reader out of the story.
Package Includes:
Line-by-Line Notes and Edits
Typos, Spelling, Grammar, Sentence Structure, Punctuation, and Syntax Errors
Word Choices – Tense, Unnecessary, Repetitive, Rhythm, Connotation, and Modifiers
Phrasing – Awkward, Transitional, Conciseness
Genre-Specific Notes on Story Flow, Continuity, Sluglines, Character Detail, Accuracy, Clarity, Style, Tone, Ideas and Concepts, Consistency, Format, Structure, and Denotes any Confusion
Screenwriters are creative. We pour our hearts out on the page and bring amazing things to life. We want to suck a reader in and keep them there—to envision our story on the big screen. We also get so engrossed in our own worlds that we overlook things and the fastest way to turn a reader off or take them out of your story is with basic grammar, typos, punctuation, or consistency issues.
This is the fastest turn off to a reader. If you can’t be bothered to make sure everything is perfect, why should they bother to read it?
If you feel your script is at it's peak, this is the last thing you should do before querying producers and agents.
Package Includes:
Typos, Spelling, Grammar, Structure, Punctuation, and Syntax Errors
Line-by-Line Notes and Edits
Notes on Accuracy and Consistency and Denotes any Confusion
As writers, ideas for scripts come and go as often as Batman is portrayed by a new actor.
Treatments are a great way to go about getting your story out without the labor of an entire feature script. Many companies and agencies will request one before they ask for a full screenplay as well.
Package Includes:
Logline
Comprehensive and In-Depth Notes and Suggestions on Viability and Marketability, Structure, Story and Character Development
Ratings Grid
Grade – Consider, Recommend, Pass
If there's no story, there's no movie. Taking something you see in your head and translating it into a screenplay is one of the hardest parts of the writing process. Creating three Acts, making sure the plot is constantly moving towards the end goal, using characters to propel it forward - these are but a few things that must be constant at all times.
Does your plot move at a good, smooth pace? Is it fleshed out enough to hold the reader's attention? Does it arc and climax in all the right places? Did you throw a deus ex machina in there just to get your outcome?
Make the story unforgettable before you send it in.
Package Includes:
Logline
Synopsis
Comprehensive, In-Depth Notes and Suggestions on Story Development, Action, Conflict, Resolution, and Continuity
Characters drive your story. They bring it to life. If you have lifeless characters and a fantastic story, it doesn't go anywhere. The way they look, their actions, their dialogue, and even their history, matters in propelling your story forward.
Fully-developed, rich characters are the backbone of your script. Make sure your characters do their job, resonate with readers, and make them want to read more.
Package Includes:
Comprehensive and In-Depth Notes and Suggestions on Character Development, Growth, Relatability/Connection, Dialogue, Action, Conflict, Resolution, and Continuity
Purchasing this digital gift card creates a unique code. The gift card recipient can enter this code at checkout to subtract the gift card value from their order total.
This gift card never expires.
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Tips for creating a writing schedule that works with your everyday life.